I previously posted about the latest rash of scandalous photos coming out of Afghanistan showing U.S. military atrocities under Obama’s command, and wondering if the media would pick up on it the way they did when it was Bush’s army… Well, here’s a twist I wasn’t expecting: yes, one of the U.S. media, Rolling Stone, [...]
Jeffrey Goldberg, a correspondent for the Atlantic, cast a spotlight on yet another disgustingly overt example of pure bias in the mainstream media, particularly at the anti-Semitic Reuters newswire. He points to a Reuters news item which contains the following despicable sentences: Police said it was a “terrorist attack” — Israel’s term for a Palestinian [...]
In the [sparse] reporting of the Palestinians’ massacre of the Fogel family, several newspapers stand out with their distorted sense of “balance”, i.e., where they feel overwhelmingly uncomfortable describing the barbarity of the Palestinians without at least taking a swipe or two at the Israelis, no matter how patently irrelevant or disgustingly disrespectful it comes [...]
The Summer of George
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James Taranto relates a great Obama-Seinfeld comparison in today’s Best of the Web Today column on the WSJ site:
Reader Daniel Loomis sends along his capsule summary of “The Summer of George,” the eighth-season finale of “Seinfeld,” which aired May 15, 1997: “George uses his severance from the Yankees to stimulate the perfect summer–the ‘Summer of George’–but spends it playing frolf (frisbee golf), watching ‘The White Shadow,’ ‘investing’ in a recliner with a built-in refrigerator, taking midmorning naps, banging his head on tables, and having insignificant telephone conversations. Eventually, he ends up in the hospital having to relearn to walk.”
And here is Loomis’s capsule summary of “The Summer of Recovery,” the finale of the first full season of “Obama,” a midseason replacement that premiered to hype and high ratings but is now struggling and may face cancellation: “Barack uses his trillion dollar stimulus to create the best summer ever–the ‘Recovery Summer’–but wastes hundreds of billions on things like studies on how cocaine affects monkeys, investigating the link between yoga and hot flashes, bus-stop art, international ant research, and an upgrade to the statehouse and political offices in Topeka, Kan. Eventually, the economy ends up barely ambulatory.”
There are other parallels. Like “Seinfeld,” “Obama” is a show about nothing. Like George Costanza, Barack Obama is ending his summer with a fall, albeit a figurative plunge rather than a literal one. Oh, and Obama’s “Summer of Recovery” has actually turned out to be a summer of George, though we don’t mean Costanza.
“As Obama Struggles, Bush’s Legacy Recovers” reads the CBSNews.com headline on a picked-up Slate piece. Obama “is not consciously trying to improve the public’s view of the Bush years,” writes Slate’s John Dickerson. “Indeed, he is actively reminding people of the mess he inherited from his predecessor.”
The problem is that Obama’s leadership has been so ideologically extreme, and so politically and administratively incompetent, that every time he reminds us of his predecessor it makes Bush look good by comparison. Little wonder that a new survey of Ohio voters by Public Policy Polling, a Democratic firm, finds that “by a 50-42 margin voters there say they’d rather have George W. Bush in the White House right now than Barack Obama.”
Last night, in an Oval Office speech, Obama said something nice about Bush for the very first time: “No one can doubt President Bush’s support for our troops, or his love of country and commitment to our security.” At one time, such an uncharacteristically gracious statement might have made Obama look good. But our hunch is that among those who bothered to watch the speech, a common reaction was: I miss having a president whose support for our troops, love of country and commitment to our security no one could doubt.
The show must go on. The network is committed to another 2½ seasons of “Obama.” If the star is hoping for renewal after that, he could do worse than to study another “Seinfeld” episode about George Costanza: “The Opposite.”